Joker (Film)
I saw the new joker film the other day. See, despite the fact that none of them have any interest in comic books whatsoever, the nibblings are all big fans of comic book movies. Who can blame them; the bloody things have absolutely dominated the film landscape for the last twenty years, which is longer than any of the little buggers have even been alive. It's the only world they've ever known. But my siblings have not let them go to see the new Joker flick in theatres. Understandable, given that the blurb on the Event Cinemas website simply reads "A failed stand-up comedian is driven insane and becomes a psychopathic murderer". Actually, given that the film has an MA15+ rating, most of them wouldn't be allowed in anyway, even if accompanied by an adult.
But of course, we all know that's not where it's going to end. Before you know it, the damned thing will be out on DVD and online, and all of their little mates will be talking about it. So, my brothers asked me if I could get a copy for them to preview. In case you're wondering, there is a proper digital transfer getting around, and it's pretty good quality too … so long as you don't mind hard-coded Korean subtitles … just saying. So, while the nibblings were tucked up in bed this past Saturday night, myself, my brothers, and my sisters in law, sat down and gave it a gander. I don't plan on giving too much away, but in case you don't want to risk it, skip over this next part.
Click here for possible spoilers!
I think the Aussie film classification board has got it pretty right on this occasion. Fifteen is probably about where I'd draw the line on Joker too. It's not a super-hero action flick, that's for sure. There's no goofy quips or drawn-out cartoon combat sequences. Batman doesn't even exist yet in this universe. It's a bleak, nihilistic character study that makes no attempt to hide the fact that it's borrowing heavily from Martin Scorsese's Taxi Driver. However, unlike the '70s films that it's obviously aping, there's no gratuitous nudity or obligatory sex scene, and the course language is kept to a handful of "fucks" towards the end; but the violence—whilst infrequent—is graphic, realistic, and probably too disturbing for most youngsters. As a film for adults, my feelings are mixed.
I love a good tragedy. Call me a masochist, but I tend to enjoy fiction that makes me feel sad. Actually, I tend to enjoy fiction that makes me feel anything other than frustrated or bored, but I'll get to that in a minute. Do they even make movies like this anymore? I think the last time I saw a film about the modern-day rat-race pushing some poor prick over the edge, it was "Falling Down", and that must have come out nearly thirty years ago. Joker adds a little bit of "Natural Born Killers" to the mix, in that the protagonist's decent into violent anarchy ends up making him a cultural icon for everyone who feels like they don't have a stake in society. Unfortunately, it's not quite as well executed as NBK.
First off, I have to admit that Joker is really well acted. Everything you've heard about Joaquin Phoenix's performance is true. It's also a good looking film. For the most part, the cinematography is top notch. I wasn't so keen on the sound design, though. Like pretty much every movie I've seen in the past twenty-five years, I thought it was over-scored, and there were a number of scenes in which I just wanted the dramatic music to piss off and leave me with some nice atmospheric silence. On top of that, the writing isn't anything special. Most of the time, the story feels like a blunt instrument with which the writer is hitting you over the head. For example, since this movie is about a crazy person, a number of the scenes mix "reality" with hallucination (does anybody else find this approach as tiresome and non-clever as I do?), but it also goes way out of its way not to leave anything up to audience interpretation. Also, the Joker's inevitable climactic monologue is pretty underwhelming. I was hoping for something a little more tense and chilling. And ironically, I thought the film was slightly held down by the fact that it had to fit within the confines and expectations of preexisting Batman lore. Of course, if the film had been its own original thing, without ties to a big-name DC comics villain, probably nobody would've given a shit about it; which is kind of frustrating in its own way, don't you think?
Lastly, I suppose I should touch on the controversy that surrounded the release of this film. When it came out, both the left and right leaning podcasts I listen to were debating whether or not this film was some sort of sympathetic dog-whistle for straight, white, men who lash out when their sense of entitlement is challenged. The only response I can make is that, this film is such an overtly ham-fisted attempt at critiquing economic inequality, that anyone who sees this as having anything to do with race or gender has had their perception of reality utterly retarded by identity politics. If that was your take on it, I suggest you go and have a good hard look at your own internal filters.
Which brings me to the next thing I wanted to talk about …
Ship Of Fools (Book)
I don't know how familiar any of you are with Fox News presenter, Tucker Carlson. I have mentioned him on here before. He gets a lot of favourable coverage from both the dissident left and dissident right, primarily because he constantly runs stories critical of neoliberalism, the military industrial complex, major financial donors to both political parties, and Fox advertisers. Basically, nobody can work out how the fuck he hasn't been sacked yet. The most recent example that had podcasters buzzing was this piece he did on vulture capitalist Paul Singer.
Recently, I decided to check out Tucker's book "Ship Of Fools". Since I don't read anything anymore, I of course opted to go down the audio-book route … oh boy, did that leave me underwhelmed. The only place I could find it was on Audible (An Amazon Company™), who seem to have a near monopoly on audio-books these days. Am I the only person who doesn't love Audible? I find the whole idea of "subscribing" to an online retailer to be a wholly unwanted root-around. I don't want to pay a monthly fee to get a "free" audio-book every month. If I'm interested in a book, I want to go and buy that fuckin' book; end of transaction, end of story. Oh, and I want to own the fuckin' thing, not have it held by the retailer as part of some sort of indefinite loan scheme, that they can terminate on a whim.
In the end, I just pirated the fuckin' thing. Fuck it. Tucker's a multi-millionaire. He's not going to miss the money, and I couldn't give a flying fuck about Amazon's financial viability. Jeff Bezos is a cancer on society, and I hope the monster he's built eventually gets torn apart by angry villagers.
Anyway, I thought the audio-book itself was pretty good. What took me by surprise is that it's an attack on the American political left from the left, with the built in presumption that the political right has always been crap. In a lot of ways, he covers the same stuff that I've been bellowing about here for years. He puts forward the thesis that social, economic, and intellectual snobbery has caused the concerns of the left's leadership to become utterly divorced from the concerns of the working class people they're supposed to represent. For example, he talks about Cesar Chavez, a union boss of Mexican extraction, who—in the 1970s—organised gangs of vigilantes to defend the Southern border, and attack Mexican workers who tried to cross illegally. See, Chavez wasn't a racist; he represented the practical interests of American farm workers, regardless of the colour of their skin, and therefore opposed the illegal importation of cheap foreign labour which was driving down their wages and working conditions. Nowadays, 95% of left-wing thought-leaders consider any enforcement of border security whatsoever to be inherently racist on principle. Whereas previous generations of lefty journalists would have hounded Apple Computers relentlessly for outsourcing manufacturing jobs to Chinese sweatshops—ringed with suicide nets—and supplied with resources mined by literal African slaves; the current crop will happily sing Apple's praises, provided they turn their Twitter avatar rainbow coloured during pride month and occasionally talk about increasing the number of black women they employ at their corporate headquarters. Some of them have crawled so far up their own arses that they find it impossible to even address the issue of poverty-induced family breakdown, because doing so would be a slap in the face of single mothers, by tacitly endorsing a colonial, patriarchal, hetero-normative power structure, in the form of the traditional nuclear family … or some such horseshit. In fact, the modern left-wing intelligentsia are more likely than not to sneer down their noses at the workers whose welfare they once would have championed … particularly if those workers happen to be poorly educated, and poorly payed, heterosexual white men.
So, what has this led to? According to Tucker, a situation where the leadership of the political left is now largely allied with the leadership of the political right against the interests of the common working man. Sure, they fight like never before, but the issues they oppose each other on are issues that nobody outside of Washington DC gives two shits about. Hence, the political "left v right" power struggle reflected in the media, has become little more than a dog and pony show; while the true political power struggle—the one that nobody wants to talk about—embodies more of a "bottom v top" dynamic. The election of Donald Trump wasn't an endorsement of Republican party policy—remember, Trump wasn't really a Republican, and a lot of his rhetoric was openly hostile towards mainstream Republicanism—instead, Trump was a brick that the electorate wanted to hurl through the front window of the political establishment. A pity they never got the message.
Anyway, I thought it was a pretty decent book, even if it didn't cover a lot of stuff that I didn't already know. Check it out if you're so inclined. It's competently narrated by Tucker himself, with a running time of about six and a half hours—or two and a half, if you like to listen to stuff at high speed.